Resources for Novelists and Nonfiction Writers


130 Articles on Writing and Publishing

     
     
     
Books About Writing and Revision

38 Most Common Fiction Writing Mistakes (And How to Avoid Them)
- Jack M. Bickham, 1992


Formatting & Submitting Your Manuscript
- Chuck Sambuchino


From First Draft to Finished Novel
- Karen S. Wiesner, 2008


Guide to Literary Agents
- 2010


How NOT to Write a Novel – 200 Classic Mistakes and How to Avoid Them – A Misstep-by-Misstep Guide
- Howard Mittelmark and Sandra Newman, 2008


Manuscript Makeover – Revision Techniques No Fiction Writer Can Afford to Ignore
- Elizabeth Lyon, 2008


Novel Shortcuts – Ten Techniques Than Ensure a Great First Draft
- Laura Whitcomb, 2009


Revision & Self-Editing
- James Scott Bell, 2008


Self-Editing for Fiction Writers – How to edit yourself into print
- Renni Browne and Dave King, 2nd Edition, 2004


Shimmering Images
- Lisa Dale Norton, 2008


Thanks, But This Isn’t For Us – A (Sort of) Compassionate Guide to Why Your Writing Is Being Rejected
- Jessica Page Morrell


The Complete Guide to Editing Your Fiction
- Michael Seidman, 2000


The Forest for the Trees
- Betsy Lerner, 2000


The Writer’s Digest Guide to Query Letters
- Wendy Burt-Thomas, 2008


Writing for Children and Young Adults
- Dr. Marion Crook, 2nd Edition, 2008


Writing Great Books for Young Adults - Everything you need to know from crafting the idea to landing a publishing deal
- Regina Brooks


Writing the Memoir
- Judith Barrington, 2002

A Simon & Shuster Editor Tells - "What I Expect When You Submit Your Manuscript"

Anica Mrose Rissi, Executive Editor for Simon Pulse, has created a checklist of things to do to help keep your book from being rejected.

Revise, revise, revise! I don't want to read your first draft, ever. (Tip: Your novel isn't ready to send me until you can describe it in one sentence.)

Start with conflict and tension to raise questions, arouse curiosity, and (like musical dissonance) create the need for resolution.

Start with the story you're telling, not with the backstory. Throw the reader directly into a conflict and let her get to know your characters through their actions. (Yes, this is another way of saying, "Show, don't tell.")

Give the reader something to wonder about and a sense of where the story is going—of what's at stake.

Avoid explaining too much too soon. Don't be obvious. Trust your readers. Trust your characters. Trust your writing. If you find that long chunks of your story need to include long explanations, go back in and write those chunks better, until the story explains itself.

Make sure your story has both a plot arc and an emotional arc. Cross internal conflict with external conflict. Give your characters moral dilemma, and force them to deal with the consequences of their choices.

Read your dialogue out loud. When revising, ask yourself, "What is the point of this dialogue?"

Make every scene, every sentence, and every word count. You should also be asking, "What is the point of this sentence?" What is the point of this scene?"

Use adjectives, adverbs and dialogue tags only sparingly.

Make sure your details matter.

(Writer's Digest, May/June 2010)

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